Tim Cavagin Net Worth 2026 — Bohemian Rhapsody Sound Mixer

Introduction

Tim Cavagin’s movie career started in 1990
in the field of dubbing . Since 1996 he works for the London-based organization
Twickenham Studios. During the 1990s, he worked among others in progress The
Leading Man , Mary Reilly , Lawn Dogs – Lawn Dogs , Firelight , Seven Years in
Tibet and Donnie Brasco with. For his support in the suspenseful thrill ride The
Others , by Alejandro Amenábar and featuring Nicole Kidman , Cavagin got 2002a
Goya in the classification ” Best Sound “. Likewise, he was assigned
in the Satellite Awards in the classification ” Best Sound Editing “,
the honor went to the group of The Lord of the Rings: The Companions .

Tim Cavagin is an English sound creator,
known for his work in 2017 film Baby Driver for which he was co-assigned with
Julian Slater, and Mary H. Ellis for Sound Mixing at 90th Academy Awards
Cavagin is a re-recording blender who has worked in melodic theater, movies,
and network shows.

He moved on from the University of London
and he started working as freshman at the University where he got a BFA in
music theater in late 2006. Motion picture You’ve watched the film, ‘Child
Driver’ and you have tuned in to the sound and the way it appears in the film.
The film is motivating and it is sure to make you snicker since you appreciate
music’s outcomes. ‘Infant Driver’ won honors in different classifications as a
result of its story furthermore, has gotten numerous selections. It is the
point at which you have an image that empowers anybody to tears. The film is
brimming with music that has been created by blender Tim Cavagin. In 2018 he
was delegated to the Academy of Motion Picture Arts and Sciences , which every
year grants the Oscars.

Tim
Cavagin Height

Tim Cavagin height is 1,77m.

Tim Cavagin Bohemian Rhapsody

The story of the legendary rock band Queen and lead singer Freddie Mercury, leading up to their famous performance at Live Aid (1985).

Tim
Cavagin Movies

Bohemian Rhapsody  (recording mixer), 2018 / biography – drama – music

Baby Driver  (recording mixer), 2017 / action – crime – drama

The Hitman’s Bodyguard (recording mixer), 2017 / action – comedy – thriller

Ali and Nino  (recording mixer), 2016 / drama – romance – war

Goodbye Christopher Robin (recording mixer), 2017 / biography – drama

O Jerusalem  (recording mixer), 2006 / drama – history

Tim
Cavagin Awards

International Online Cinema Awards (INOCA)

• 2018 Winner
• INOCA Best Sound Mixing
• Baby Driver (2017)
• Shared with:Julian Slater , Mary H. Ellis

Tied with Mother! (2017).

• 2017 Winner
• Halfway Award Best Sound Mixing
• Baby Driver (2017)
• Shared with: Julian Slater , Mary H. Ellis

Goya Awards

• 2002 Winner
• Goya Best Sound (Mejor Sonido)
• The Others (2001)
• Shared with:Ricardo Steinberg , Alfonso Raposo , Daniel Goldstein

Association of Motion Picture Sound (AMPS)

• 2018 Winner
• AMPS Feature Film Award Excellence in Sound for a Feature Film
• Baby Driver (2017)
• Shared with: Mary H. Ellis , Julian Slater , Winner

AMPS TV Award Excellence in Sound for a Television Drama

• Black Mirror (2011)
• Shared with: John Rodda , Matthew Skelding , Kenny Clark

BAFTA Awards

• 2019 Winner
• BAFTA Film Award Best Sound
• Bohemian Rhapsody (2018)
• Shared with: John Casali , Nina Hartstone , Paul Massey , John
  Warhurst

Tim
Cavagin Net
Worth

Tim Cavagin Net Worth is an impressive $17
million dollars although some estimates are as $40m.

Frequently Asked Questions

Early Life and Education

Tim Cavagin was born and raised in the United Kingdom, where he developed an early passion for sound and audio engineering. His journey into the world of professional sound began in childhood, when at the age of ten he accompanied his father to work at Yorkshire Television, where his father served as head of sound. This early exposure to the professional audio environment planted the seeds for what would become a distinguished career spanning more than three decades. Cavagin attended Horsforth School, where he completed his formal education before pursuing his professional aspirations in audio engineering. His formative years in Yorkshire provided him with foundational knowledge and connections that would serve him well as he entered the competitive field of film and television sound.

Upon completing his education, Cavagin’s first professional position was in a sound transfer bay at Cine-lingual, a company specializing in transferring audio between different media formats. This entry-level role proved instrumental in developing his technical understanding of sound reproduction and audio quality control. Beginning his motion picture career in 1990 in the field of dubbing, Cavagin quickly established himself as a meticulous and innovative audio professional. In 1993, he secured a position as a re-recording mixer at the prestigious Twickenham Film Studios in London, a role he has maintained for over three decades, establishing himself as one of the studio’s longest-serving and most respected team members.

Career Highlights

Throughout his career, Tim Cavagin has contributed to an extensive array of films across multiple genres, from intimate character studies to large-scale action productions. His work spans documentaries, dramas, action films, and horror films, demonstrating remarkable versatility in adapting his sound mixing expertise to diverse creative visions. Among his notable credits are films including Baby Driver, Bohemian Rhapsody, The Hitman’s Bodyguard, Goodbye Christopher Robin, The Man Who Knew Infinity, Last Night in Soho, and Hitman’s Wife’s Bodyguard. His contributions to television have been equally significant, with work on acclaimed series including Black Mirror, showcasing his ability to enhance storytelling through sophisticated sound design and mixing.

Cavagin’s most significant professional achievement came with his Academy Award win for Best Sound Mixing for Bohemian Rhapsody in 2019, shared with Paul Massey and John Casali. This prestigious recognition acknowledged the exceptional work of the entire sound team in bringing the band’s iconic story to life through meticulous audio engineering. The film’s complex sound requirements demanded careful balance of dialogue, music, and ambient sound, a challenge that Cavagin and his colleagues executed with outstanding precision. Prior to this major achievement, he received a nomination for Best Sound Mixing for Baby Driver, recognizing his contribution to director Edgar Wright’s intricately choreographed action film.

Beyond the Academy Awards, Cavagin has accumulated numerous accolades throughout his career. He won the BAFTA Award for Best Sound for Bohemian Rhapsody alongside John Casali, Nina Hartstone, Paul Massey, and John Warhurst. He also secured the Cinema Audio Society Award for Outstanding Sound Mixing in Motion Picture for Bohemian Rhapsody. Additionally, Cavagin earned nominations and recognition from the Cinema Audio Society for his television work, including a nomination for his contributions to Black Mirror. These awards reflect industry recognition of his technical excellence, artistic sensibility, and commitment to elevating the auditory experience of cinema and television audiences worldwide.

Personal Life

Tim Cavagin maintains a private personal life while dedicating himself to his professional work in sound engineering. Based in the United Kingdom, he has established himself as a pillar of the British film industry’s technical community. During his Academy Award acceptance speech for Bohemian Rhapsody, he graciously acknowledged his family and personal support network, thanking his mother and father, his brothers, and friends from his hometown of Odiham. These references provide rare glimpses into his personal background and the importance he places on family connections despite the demands of his professional career.

Cavagin’s commitment to his craft is evident in his three-decade tenure at Twickenham Film Studios, where he has built a reputation as a dedicated and reliable collaborator. He has worked repeatedly with accomplished filmmakers and sound designers, developing creative partnerships that have resulted in award-winning productions. His presence on multiple projects with director Edgar Wright, including both Baby Driver and Last Night in Soho, demonstrates the confidence that leading creative professionals place in his abilities. Through his work, Cavagin has contributed significantly to the elevation of sound mixing as a creative discipline within cinema.